CHAPTER 14: Modulation [AP HOME]

Modulation to closely related keys (key signature differs by no more than one accidental) by pivot (common) chord modulation, phrase (direct) modulation, and chromatic modulation.

Chap 14 reading Review.pdf.

Assn. 14.2 (Anayisis: Chromatic and Pivot Chord Modulation)
Working through Assn. 14.2, #2-3 (Dr. Watson)

Assn. 14.3 (Part-Writing w/Modulation)
Working through Assn. 14.3, #1 (Dr. Watson)

Assn. 14.6 (Modulation Analysis, J.S. Bach: French Suite No. 5, "Gavotte")
Working through Assn. 14.6, mm. 1-8 (Dr. Watson)

J.S. Bach: French Suite No. 5, "Gavotte" score for analysis (download/print)

JSBach, Gavotte, BWV816.pdf

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Assn. 14.7 (Harmonizing a Melody w/Modulation)
Working through Assn. 14.7, #1, 2 possible solutions (Dr. Watson)

Pivot Chord Modulation.pdf.
Analysis: Modulation Analysis activ.pdf
Analysis: God the Father Be Our Stay.pdf (J. S. Bach)
("God the Father Be Our Stay" Noteflight score)